The strike must continue

The Writers Guild of America began its current strike on Tuesday, 5-2-2023...after a three-year contract with the Alliance of Motion Picture and Television Producers ended. Weeks of negotiations fell through because the AMPTP failed to come up with a pact that would satisfy the 11,500 WGA members. WGA leaders sought to gain increased compensation for TV-and-movie writers, guaranteed duration of employment for writers who get gigs in the industry, better residuals, and (of course!) the assurance that human writers wouldn't get replaced by artificial intelligence. Streaming has become a major factor since the previous WGA strike. Because of streaming, residuals for writers have become less frequent...and smaller, too. We've now got minirooms (with only a few writers instead of the usual seven or more), shorter seasons for TV series, and no rerun residuals for countless series. The money's there to give WGA writers what they want. Writers would've gained an extra $429 million per year had AMPTP leaders come through for the folks who cook up scripts. Instead, AMPTP bigwigs offered an annual increase of $86 million. Some people have questioned the WGA's decision to shut it down. One of them's even on the creatives' platform I joined in January 2019. If you've questioned the first writers' shutdown since 2007-08, think about this: Shows like "This Is Us" and "Abbott Elementary" wouldn't have come on the air if somebody hadn't thought them up...and movies such as "Avatar" and "Tar" came about because someone wrote a script. And why shouldn't writers be compensated decently for what they come up with? They've got bills to pay, too.