Raising the Bar

Ch-ch-ch-ch-changes continued to come to the World Championship Old-Time Piano Playing Contest and Festival as the 1980s gave way to the 1990s.

With the contest about to embark on its fourth year as a Decatur, IL event (its fourth year as an indoor attraction after twelve of them taking place outdoors in Monticello, IL), the Monticello Railway Museum decided to pull out.

With that, a new group was needed to put the C&F on...and so, in March 1990, the Old-Time Music Preservation Association (OMPA) was put together. Its purpose, besides overseeing the contest, was to promote the very first form of popular music to ever come out of these United States. 

All you needed to become a member of OMPA (besides a love of old-time music) was, at first, an annual fee of $20. And, if you forked over that fee, you'd also get a newsletter called The Old Piano Roll News. 

Two months after the organization began, its first major order of business was to ultimately hand six cash prizes (and two championship trophies) to the six most deserving of twenty 1990 OTPP hopefuls- fifteen Regular Division performers and five Junior Division contestants. (In those days, all the JD pianists competed for just one cash prize.)  

The Junior Division field that year was almost a family affair (or Family Affair, if you will) thanks to the presence of Tom, Katie, and Carrie Drury...but they and Aaron George couldn't prevent the Dax Baumgartner Express from chugging to a third straight title (and a berth in the Regular Division the next year).

Speaking of Regular Division...two of the contestants came back to the festivities after a long stretch of time away: Bruce Petsche (he won it all in 1980) and Faye Ballard (she almost won it all in 1976...as a twelve-going-on-thirteen-year-old). Plus, as was the case in 1988, the Two Kellers (Sue and her mother Betty) were in search of the Traveling Trophy. Lillian Nelson, Marcy Fruchter, Fran Stowe, and Fletcher St. Cyr were first-time contestants, and they were after the Big Dough.

What's more, Neil Moe was trying to become the first Junior Division titleholder to snag a Regular Division championship. 

"Perfessor" Bill Edwards, Marty Mincer, Therese Bradisse, Mark Lutton, and Lorraine Pantalena all came back.

Taslimah Bey didn't.

Paul Gronemeier didn't, either.

Neither did the reigning RD champion, Julie McClarey.

Her and husband Steve's family was growing...otherwise, Julie might've won the 1990 Reg crown.

That crown went to Marty, an apple farmer from Hamburg, IA...and he became the first Hawkeye Stater to bag OTPP's top prize, with Bill, Sue, Neil, and Betty also getting RD prize money. (And Marty won it all in his grandfather's band uniform.)

By the way...it's a great time to tell you that, if you're going to compete in OTPP, you've got to put on a costume. You've got to compete in something people generally wore during the 1880-1929 period.

This means that men contestants have generally worn period suits, tuxedos, and- more often than not- that familiar white shirt-vest-bow tie-slacks-arm garter combination (the outfit I like to call "bartender's duds"). Sometimes, the OTPP men have added hats to the outfits. 

And another exception besides Marty's band uniform (that actually was his granddad's) was the overalls Dale Wells once competed in.

Women contestants usually have donned those long, long dresses from pioneer days or from the turn of the 20th Century...or they'd put on those flapper dresses (or gowns) from the 1920s. 

And some OTPP women have worn the bartender's duds themselves...and Jennifer Booker once competed in overalls, while Taslimah went at it in a tuxedo.  

In 1991, fifteen pianists total did their thing at Decatur's Holiday Inn Conference Hotel (the venue's then name)...and all but three were in the adult division. (Dax wasn't one of the RDs...and neither was Sue. And that made the '91 competition a one-Keller event, thanks to Betty's presence as a competitor.)

The JD field consisted of newcomers, two of whom we'd be hearing from for years to come. That year, Kris Becker finished third in the Junior Division, Marty Sammon (that's right, blues fans- THAT Marty Sammon) came out second best, and Adam Downey took Dax' place as the best JD ragtimer.

And Adam would go on to his own three-year run at the top of the younger division.

With Sue no longer competing (and, instead, getting ready to embark on a long run of serving OTPP in many other ways- especially as a contest judge), Dale slipped in as one of the 1991 RD finalists; in the process, he joined Betty, Mark, Marty M., and the ol' Perfessor as the Top Five. 

This time, the computer programer from the DC area swapped places with the apple farmer from Southwest Iowa...with Bill E. snatching the Big Trophy away from Marty M. 

The two of them became not just good friends, but GREAT ones (teaming up from time to time as The All-American Ragtime Boys), and Marty M. and Bill E. went into 1992- the second straight fifteen-player year- having old-time piano fans wondering which man would reign supreme in the Regular Division.

Then Paul G. ended his two-year hiatus from OTPP...and he was joined by Reg newcomers Ginny Kaiser and Brian Holland (sorry, Motown fans...not THAT Brian Holland). Meanwhile, Doris Barnes ended a seven-year stay away from the contest.  

In the Junior Division, Adam D. and Marty S. competed against three newcomers, one of whom we'd be hearing about for years to come: Ryan Casteel, a Missourian named Max Schiltz, and a Nebraskan named Julie Ann Smith.

Julie Ann came within three points of derailing Adam in 1992...but she'd go on to make a name for herself another way. Now known as Julie Smith Phillips, she's one of the world's best-known harpists (and a noted harp instructor as well).

If you'd like to know more about this harp giant (she got started on the instrument the year before she made her OTPP debut), go to www.harpjas.com. 

As things turned out in the RDs for '92, Dale and Mark kept their places among the division's Top Five...and Marty Mincer came out ahead of Bill Edwards.

And Paul Gronemeier came out ahead of everybody and got the crown he'd been after. 

You could bet that Paul was going to come back for 1993...and he did. It was a year in which the field ballooned to nineteen contestants- five JDs and fourteen RDs. What's more, eight newcomers (all but one in the Reg Division) fueled the field's growth.

The lone new JD'er for 1993, Dalton Ridenhour, would come back to Decatur for more. And of the seven RD newcomers, only Bob Milne had any real name recognition in old-time piano coming into that year's OTPP. And like Dalton, Bob would come back to the contest...but in Bob's case, not to compete. (I loved his workshops.)

Richard Ramsey, Chuck Bregman, Patty Davis, David Galster, Erma Ryan, and I rounded out the rookie field. There we were, thirteen RDs trying to take Paul's long-sought crown away...and four JDs trying to prevent Adam's clean sweep (something Julie Ann almost did a year earlier).

While I stank out the Holiday Inn, Bob lived up to his reputation as a top-notch pianist...and Richard was a revelation.

Richard and Bob joined Bill, Marty M., and Mark in the RD finals...and in the process, pushed Paul out of the money line. Somebody else would win the contest's top cash prize- now $1,200- as well as the Traveling Trophy.

Marty M. was that someone else...and he became the first champion in either division to get the crown back after watching someone else take it away. And that made him the OTPP version of Muhammad Ali.

About 24 hours earlier, Adam D. punched his ticket into the Regular Division. But his closest competitor this time wasn't Julie Ann S. or Marty S.

After sitting out 1992, Kris came back to place second in the JDs.

I didn't do as well as I'd hoped (all the juniors beat me)...but I learned a lot from that first OTPP experience (including learning to play "Tickled to Death" after hearing the then thirteen-year-old Julie Ann Smith nail it). 

Even so, Dale, Brian, and other contestants- as well as other OTPP fans- encouraged me to come back for 1994.

I did.

Dalton did, too.

In fact, he and I were the only two 1993 newcomers who also weighed in as competitors the following year. 

Marty M., Bob M., Bill E., and Brian H. came to Decatur's Holiday Inn during 1994's Memorial Day weekend...but not to compete. (Matter of fact, Bob and Bill ran some workshops that weekend. And theirs were the very first workshops in contest history.)

Meanwhile, the field shrank enormously...to ten, five in each division. On top of that, each division boasted just one newbie.

The lone first-time JD contestant this time was Cecilia Fleisher (whose version of "American Beauty" I really loved)...and the only new RD contestant blew everyone away.

Quebec native Mimi Blais came into the 1990s as a classical pianist. She got the ragtime bug soon after, and then...and then...ended a four-year absence from performing arts centers to launch a concert called "Around Scott Joplin."

That did it. 

Thanks to playing ragtime, Mimi received the acclaim that couldn't come from playing classical music...and by 1994, she was ready to see what she could do in the best-known ragtime competition in America.

Mimi skunked everybody. Matter of fact, the last competition piece she played, Scott Joplin's "The Crush Collision March," nailed it for me. 

You talk about unstoppable!

It was a year I'll never forget...not only because it was the year all five Regular Division hopefuls (Mimi, Mark, Dale, Adam D., and I) made it to the semifinals AND finals, but, most importantly, it was when Marty Sammon became the Junior Division kingpin...and Mimi Blais raised the bar exponentially in the Regular Division.

Out of the Rain

The 1980s were an era of big events and political stunts; an era of style over substance.

C. Everett Koop (Ronald Reagan's surgeon general) wanted to wear his old uniform from his days in the Navy to his new job...and because of that, all subsequent top doctors have had to don the fruit salad. 

There was Nancy Reagan's "Just Say No!" campaign to fight drug abuse. (And, by the way...alcohol is a drug, too. And that's a whole other post in itself.)

And what about the "effort" to prove the value of teachers in America...AKA the program to send one into space? 

About four months after Francis Scobee, Michael J. Smith, Judith Resnik, Ellison Onizuka, Ronald McNair, Gregory Jarvis, and Christa McAuliffe- said teacher- lost their lives in the Challenger explosion, the "Hands Across America" event took place. 

It didn't help that the 1986 Memorial Day weekend was chilly and misty outside in Monticello, IL. (Monticello was one of the "Hands Across America" stops.)

And it ultimately helped drive the Monticello Railway Museum to look for a new place to hold its top fundraiser, the World Championship Old-Time Piano Playing Contest. For '86, the organization used Monticello High School's football field as the contest venue rather than the museum itself.

It was too much to take for everybody...so, the MRM made The Decision.

The organization took the whole show to the then Holiday Inn...in Decatur, IL.

And for the first time, OTPP wouldn't have to directly fight atmospheric conditions.

That first indoor iteration of Ted Lemen's claim to fame drew eighteen contestants, with all but two competing in the Regular Division. 

So while Neil Moe only had to get past Cathy Wamsley to become the first three-time Junior Division champion, all sixteen Regular Division hopefuls advanced to the division's 1987 semifinals. Three of the adult contestants were newcomers to OTPP who'd make names for themselves in later years: Dorothy Baldwin, Betty Keller, and...the "Perfessor" himself, Bill Edwards.

And, as things turned out, Bill and Dorothy joined Linda Harmon (a newcomer from the previous year) and longtime participant Paul Gronemeier in the contest finals...won by a man who, at that time, made the Washington, DC area his stomping grounds: Ron Trotta.

As the event's final outdoor Regular champ, Ron staged a near-Garrison finish (instead of standing in last place in the 1986 RD prelims, he was fifth; Ron moved up to third at the end of the RD semis). A year later, Ron started out in first place once the 1987 RD first round came to an end and stayed on top until he was officially declared the contest's first indoor Reg champion. 

OTPP '87 was a success.

With that in mind, the contestant field for 1988 jumped up to 23...twenty RDs and three JDs. 

In the Junior field, only Cathy had a 1986-87 connection...but she still wasn't able to connect with the division's top prize. Neither did Neil's sister, Mary Ann.

Mary Ann and Cathy could only watch as Dax Baumgartner inaugurated his own three-year stay at the head of the Junior Division. 

Mary Ann's brother was part of the activity that continued to reshape the Regular Division- a contingent that saw Ed and Janet Kaizer come back for some more prize money (and in Janet's case, a chance to snatch the Traveling Trophy out of Ron's grip and get the statue back for herself). Dale Wells came back, too.

To top it all off, five newcomers who'd go on to become huge names in old-time piano made the trip to Decatur: Dick Zimmerman, Todd Robbins, Jim Radloff, Marty Mincer,

and Betty's daughter Sue.

 

And after two rounds, it looked as if Sue (instead of Janet) would be the one to give Ron a taste of his own medicine.

But the ex-math teacher from the Nation's Capital became the third undefeated RD champion...after breaking a semifinal-round tie with Sue Keller. And Janet, Paul, Linda, and Marty joined Ron and Sue as Reg finalists.

1989 saw other OTPP changes besides a Regular Division field without Ron Trotta and his near-Garrison finishes. First of all, the contest would- for the first time- employ four judges (instead of the three of previous years). 

Second, two new JD contestants (Jason Planck and Christina Sparks) would try to stop Dax from successfully defending his newly-won crown. 

Plus, in the RD, seven newcomers would join in the hunt (nineteen performers strong) to hoist the Traveling Trophy. Three of the biggest names were a Michigander named Taslimah Bey,

a Bay Stater named Mark Lutton,

and...an Illinoisan named Julie McClarey.

Julie had the shortest trip of them all: She and her husband Steve lived on the other side of town from Decatur's Holiday Inn.

Five cash prizes (not the six of 1986-88) awaited the nineteen Regular Division hopefuls...and after missing out in '88, "Perfessor" Bill made sure he'd get a check from the contest in his third try. Marty, Sue, and- you probably guessed it- Paul were 1989 RD finalists, too.

In fact, 1989 represented Paul Gronemeier's best chance since 1980 to jump into the OTPP winner's circle. (He finished second to Bruce Petsche in '80.)

But Julie McClarey's near-perfect technique and enthusiastic performances prevented Paul from getting his hands on the Big Dough.

And, as things turned out, the McClareys could really use the championship money.

After all, Steve's and Julie's family was growing.

What kind of effect would a growing family have on Julie's chance to defend her newly-earned title?

I'll have the answer when I come back for Part Three. (Stay tuned!)

Oh, by the way...a Bay Stater is someone from Massachusetts.

America's Most Beautiful City

That's where I went last week.

And I found out just how San Diego, CA lives up to its nickname: "America's Most Beautiful City."

Until 3-12-2014, I'd never, ever set foot on America's West Coast before. 

National University's decision to show "The Entertainers" (that 2012 documentary about the World Championship Old-Time Piano Playing Contest and Festival) gave me all the more reason to come out to California.

To get to the Golden State, I caught a pair of Southwest Airlines Boeing 737s (I changed planes in Denver, CO).

On the way out to San Diego, I was nervous. After all, this was just the fifth flight I'd ever taken in my life. (My other plane trips happened in 1967, 1981, 2002, and 2012.) 

And this 2014 flight was the first plane excursion that didn't involve work or going to see relatives. 

Once I saw Michael Zimmer (one of the documentary's codirectors) at the San Diego International Airport, I started to finally relax.

I knew everything was going to be all right.

Michael rented a Chrysler 200 sedan and drove us out to our hotel, Courtyard (by Marriott) San Diego Central (8651 Spectrum Center Dr., 92123). 

Great place to stay! 

Not only did National pay for our hotel rooms and fly us out to America's most heavily-populated state...the school (Michael teaches a screenwriting class at National's Los Angeles campus) wined and dined us.

Matter of fact, a few hours after I had a chance to kick back in my room, we ate dinner at a restaurant on Park Blvd. [I've been racking my brains trying to remember the eatery's name. All I know is that its name has "Bellezza" in it...and that its menu features pizzas with people's first names as the pizzas' monikers (handles such as "Julieta").] 

And we- Michael, girlfriend Tiara, his parents (Michael Sr. and Margaret), "Perfessor" Bill Edwards, and I- really loved that restaurant.  

The pizzas themselves are fired up in a brick oven- the same way they were made when pizza came over to the United States around and after World War 1. 

Speaking of fired up...I was really fired up about the next day, one that would culminate in the actual showing of "The Entertainers." 

And after we ate breakfast at the hotel's restaurant, we went sightseeing...and we focused on Balboa Park.

Balboa Park, all by itself, makes Ess Dee earn the "America's Most Beautiful City" nickname. Lots of gardens (including a striking Japanese one)...lots of museums...and the Spreckels Organ Pavilion, home of America's largest outdoor pipe organ. 

The 1915 installation (built by the Austin Organ Co.) used to be the world's largest...until one of the cities in Austria put up an outdoor pipe organ that passed up the San Diego one. (But now, the Spreckels Organ Society and San Diego's government leaders are out to give the lead back to the instrument that currently boasts 4,518 pipes with 73 ranks...with four manuals to control it all.) 

We split the pre-movie sightseeing in half...and in the second half, Faye Ballard joined us. (A blizzard messed things up in the Chicago area, forcing flights out of O'Hare International Airport to get canceled...meaning Faye couldn't get a plane from Champaign, IL to Chi-Town that Wednesday. So she got a plane from Champaign to Dallas-Fort Worth, then changed planes in the Metroplex and came out to San Diego.)

Meanwhile, Four Arrows was in San Diego...at a teaching seminar across town.

Before we were all given the chance to get inside the Spreckels Organ Pavilion, the entourage splintered...and Faye and I got a chance to tour Balboa Park's Museum of Photographic Arts (the very venue where "The Entertainers" would be screened that night). 

That week, MOPA exhibited a mind-blowing display of photos depicting political leaders in action, acts of civil disobedience, and virtually anything else that could've been ripped out of your local newspaper (or at least out of the Associated Press files). 

Then, after touring Spreckels, we all made it inside MOPA, whose 200-seat auditorium was set up to show that documentary about the World Championship Old-Time Piano Playing Contest and Festival.

At that time, Four Arrows (an online college professor when he's not playing old-time piano) was en route from the seminar across town.

It was 7:00 PM (Pacific time)...and just as the film started rolling, Bill, Faye, Tiara, Margaret, the two Michaels, and I went out to eat (Bill: "We've all seen the movie before!").

So we ate at a restaurant in the middle of the park, The Prado. 

Even if Omaha's got more eateries per capita than any other city in America, that's no reason to put San Diego's cuisine down. When it comes to restaurants, SD gives the Big O a run for its money...and The Prado is one of the many proofs.

At The Prado, they serve a half chicken as an entree...and that chicken rocked! 

As things turned out, the 140 people who came to see "The Entertainers" found out the movie rocked, too. 

They loved Bill, Faye, Four Arrows, Michael the Younger, and me. The Q-and-A session was a blast...and so was the concert Four Arrows, Faye, Bill, and I launched into after the Q-and-A.

Had a great time in San Diego...and if things turn out, I'm going back there as soon as possible.

Loadin' for Bear...Oops, I Mean a Championship Trophy

The photos you're looking at took place after the competition officially ended at the 2013 World Championship Old-Time Piano Playing Contest and Festival (at the Sheraton Four Points Hotel in Peoria, IL).

Not only did we have a ball after the competition wound down...we also had a ball during the competition itself (especially the Sunday phase, where the attention shifted to the Regular Division semifinals).

And as things turned out (there's that phrase again)...the three judges (Dean Gronemeier, Ian Hominick, and Terry Parrish) found ten Reg Division performers whose Saturday sets were good enough for advancement.

Not eleven. Ten.

The first 2013 RD semifinalist to go up to bat was Jack Graham, who made it to the hotel's Main Hall wearing another one of those unusual suits of his...and was still having a ball in his first OTPP competition.

Jack continued to restyle those familiar rags and make 'em his own...and on 5-26-2013, "Bohemia" and "Black and White Rag" got the Jack Graham treatment.

Next were...the Bills.

William McNally followed Jack by turning in winning versions of "Ramblin' in Rhythm" and "Bluin' the Black Keys." Then "Perfessor" Bill Edwards (he won the contest's Regular Division action in 1991) stepped up to the stage and rocked that 1883 Weber upright with "You Made Me Love You" and "Royal Garden Blues."

Speaking of winning...it was Tag Team Time again, with contest cohosts Ted Lemen and Adam Swanson showing just how old-time piano's supposed to sound.

One of the examples centered on tunes named after eggs (or, in the case of "Sunny Side Up," ways of cooking eggs). Here, Ted stretched the truth a little bit by adding "Exactly Like You." (Okay..."Eggsactly Like You!")

Well, one of the great things about Adam and Ted teaming up is that in case Ted's (and/or Adam's) jokes don't work, the youngest undefeated Regular Division champ ever can go back to the piano and get the audience back in there.

Hey...that's a strategy that worked for Steve Allen.  

John Remmers' strategy works great, too, because it keeps him putting on a costume every OTPP Sunday. The ex-math professor's semifinal numbers this time were "Old Home Rag" and "Peacherine Rag."  

David Maga made it to the RD Top Ten. This Virginian-turned-Minnesotan (he likes to tell people he switched from living in a commonwealth state to residing in the Gopher State because "I didn't think it over") had a very well thought-out set: "Carolina Shout" and "Sweet Sue- Just You."

And then came Michael J. Winstanley, the third 2013 OTPP newcomer to extend his stay in the weekend's Regular Division competition. Michael did it, in his all-out, take-no-prisoners style, with "My Gal Sal" (one of Paul Dresser's two most famous songs) and "Mr. Jelly Lord."

Jacob Adams became the fourth of five 2012 RD semifinalists to punch a ticket to this year's RD second round as well (after John and the Bills)...and his takes on Fats Waller's and Andy Razaf's "Ain't Misbehavin'" and "Bluin' the Black Keys" showed why he escaped elimination.

After missing out on the 2012 C&F, Russell Wilson came back, as Joe Garagiola used to say, "raring back and firing." And that strategy served Russell in good stead as he fired up "When the Saints Go Marching In" and "Entry of the Gladiators," the latter that familiar circus march.

During "Gladiators," the man who plays those keys in the Marine Band (that's right, THAT Marine Band) pulled out a red rubber ball...and attached it to his nose!

That did it.

And that meant Domingo Mancuello (one of Michael's fellow University of the Arts students and the fifth OTPP first-timer to bust into this year's RD semis) had a tough act to follow.

Domingo did it.

I've done "The Prisoner's Song" in competition before...and I'll take Domingo's poignant version (he did it as a waltz) over my own. Hands down.

After Domingo finished his set with "Ain't She Sweet," Ethan Uslan (the fifth of five 2012 RD semifinalists to hang on to a semifinal spot) wowed 'em with "Star Dust" and "Smiles."

Ethan didn't just hang on...he made a great claim, using that improvisational style of his.

Well, it was time to find out which five performers were going to walk away from the Four Points with medallions (as well as prize money).

And all of this was going on in a year where three 2012 Reg Division finalists- Will Perkins, 2011 RD kingpin Martin Spitznagel, and Four Arrows (they told his story in "The Entertainers")- faced circumstances that prevented that threesome from coming out to Central Illinois for the 2013 festivities.

On top of that, you've really got to be on top of your game to come out ahead of "Perfessor" Bill and keep him out of the Regs' Top Five (he's been a RD finalist more often than anybody else who's ever gone after the Ted Lemen Traveling Trophy).

What's more, when Ethan improvises (okay, he says "wings it"), his winging it sure beats what a lot of us other OTPP contestants- especially myself- do when we're trying to go close to the vest on those tunes.

So now, the judges had totaled up the semifinal scores...and Terry, Ian, and Dean sent Jacob up to the Main Hall stage as the first of this year's Regular Division finalists. (Oh, by the way...Dean's brother Paul reached the top of the division in 1992, snatching the trophy away from "Perfessor" Bill.)

With the Top Five spot that was denied him last year, Jacob (he calls the Twin Cities home) knocked home "Doc Brown's Cakewalk" and Ford Dabney's "Oh, You Angel."

This time around, if you made it into the finals of the Regular Division during OTPP Weekend, you had to include a song with a man's name in the title. (In 2012, the wild-card selection had to include one of America's fifty states in the title.)

Ethan- one of the few OTPP performers making a living off music and only music- made it into the finals again. This time, he brought his cell phone to the stage...to help him make sure he finished each selection in four minutes or fewer.

You know what I say about that?

I say: "RIGHT ON!" (I mean, why not take advantage of today's technology?)  

Ethan's versions of "Alexander's Ragtime Band" and "Honeysuckle Rose" were right on, too. It looked as if the man from Charlotte, NC was going to clutch that Lemen Trophy a little tighter and keep it for another year. 

Then came a Washington, DC man who'd just gotten through attaching a funny ball to his nose.

Russell was clearly having fun, and it continued right into his playing "Won't You Come Home, Bill Bailey" and "Mack the Knife." 

The ivory tickler at 1600 (that's right, THAT 1600) had the audience at 500 Hamilton Boulevard eating out of his hands.

Ted and Adam like to get right down to business during Top Five Time...but they still leave room for being able to show the OTPP crowd what makes old-time piano so special. And in this case, Adam dusted off some songs Vera-Ellen (remember her from the 1940s?) made famous.

As things- you guessed it- turned out, Jacob wasn't the only 2012 RD pianist smarting after being locked out of that year's finals.

William McNally had wounds to lick, too...and his versions of "Texas Fox Trot" and "Alexander's Ragtime Band" provided the ointment for a man who's now teaching in New York City's Queens borough.

The Old-Time Music Preservation Association found out it now could get one Bill paid. 

Would the other Bill get paid, too?

Remember: You've got to turn in one heck of a performance to keep the researcher-computer programer from Ashburn, VA from collecting an Old-Time Piano Contest check.

Domingo did just that.

The young man who attends college at William M's previous stomping grounds (Philadelphia, PA) brought his passionate style to "Willie the Weeper" and what Domingo himself called "the most overplayed song in the world."

Domingo turned in the fifth version of "Maple Leaf Rag" on this year's OTPP books...and the only other "Maple Leaf" done by a 2013 Regular Division hopeful. (In fact, all five of this year's "Maple Leaf Rag" renditions were played by contest first-timers.)

Speaking of first time...it looked good for a first-time RD champ to emerge. (Or did it?)

Jacob, Ethan, Russell, William McNally, and Domingo lined up to get medallions draped over their shoulders.

Well, as- yep- things turned out, Jacob ended up winning fifth place in the RDs (good for $250). Domingo earned fourth prize ($400) and William got third (meaning he'll get a check for $550)...but not before someone switched William's and Domingo's prizes by mistake (triggering a comic chase).

After the mistake involving Domingo and William was corrected and the situation settled, the second-place medallion went to...Ethan. (And that includes a check for $800.)  

And then it happened...a man who'd been knocking on the door to the contest's Regular Division throne room for years finally made it to the top.

Russell's now the latest to earn the Ted Lemen Traveling Trophy and he's now $1,350 richer as a result.

And his ascension to the top begs one question: "Who said there are no winners in the nation's capital anymore...let alone winners with honor?"

Can't wait to get back to Peoria...and I hope to see you there, too.

Well, as Things Turned Out...

Anyway...as things turned out, I actually did officially enter the 2013 World Championship Old-Time Piano Playing Contest and Festival.

The afternoon of Friday, 5-24-2013, I met contest coordinator Faye Ballard (of "The Entertainers" fame) in the lobby of the contest's actual venue, Peoria's Sheraton Four Points Hotel (pictured below).

Found out from Faye that an opening had arisen after all.  

Man, being able to tune up the night before at the Sky Harbor Steakhouse sure helped.  

Without the tune-ups, I wouldn't have dared say "Yes" about entering.

It'd been four years since I'd been a contestant during an OTPP weekend.

Back in the saddle again...and this time, the ride was much more comfortable than up the street at the Hotel Pere Marquette in 2009.

We had 25 hopefuls this time (it would've been 26 if circumstances had enabled Steve Muncey to show off his old-time piano skills)...and the field included two former (one reigning) Regular Division champs (their stories were told in "The Entertainers," too) and the last two Junior Division titleholders. 

Nope...this time, I didn't draw the piece of paper labeled "1."

More fittingly, Daniel Souvigny (the 2012 JD winner) did.

The 12-year-old phenom was also one of seven Junior Division contestants in 2013...and one of two Daniels to play at the hotel's Main Hall. 

I didn't get to come to the Main Hall to hear Daniel S. tear through "Smashing Thirds" and "Nagasaki." And I got to hear the next two performers- newcomers David Maga and Slade Patrick Darrin- only because I was in the same rehearsal room as they when David and Slade tuned up. 

David (one of 18 Reg Division performers and one of ten first-timers across both divisions) knocked out rag favorites "Grandpa's Spell" and "Possum and Taters," while Slade's two numbers included "I Wonder Who's Kissing Her Now."

I pulled out the piece of paper with "4" on it...and this year, I felt really comfortable playing the contest piano, the 1883 Weber upright nicknamed "Moby Dink." (And they really liked what I set out to do with "Red River Valley" and...Giuseppe Verdi's "Grand March," from the opera it took him two years to write: "Aida," cooked up to commemorate the opening of the Suez Canal.)

I patterned my version of "Grand March (from 'Aida')" after what I thought would've been Del Wood's take on the opera's most famous piece.

Well, now it was time to join the contest audience...and join them in hearing the other OTPP contestants.

Contestant #5 was Bill McNally, the college instructor who now hails from New York (he previously lived in and worked in Pennsylvania). His sets are always entertaining (well, I like to think so!), and his first-round takes on "Magnetic Rag" and "Fascinatin' Rhythm" fit the bill.

Alex Poyner was next; one of his first-round selections was the durable "12th Street Rag."

After Alex came the second of four JD first-timers, Tanner Wilson. Tanner- the second of two Nebraskans duking it out at Four Points- weighed in with two more ragtime favorites, "Maple Leaf Rag" and "Kitten on the Keys."

Tanner (he's from Fremont) made some more history in that he was the first JD'er to come out of the Cornhusker State since Julie Ann Smith, the Hastings native who competed in 1992 and 1993...and went on to grow up to become one of the world's best harpists. (Julie Ann's version of "Tickled to Death" got me to learn that 1899 Charles Hunter rag.)

RD favorite- and retired math instructor- John Remmers came up next...and the man from Ann Arbor, MI showed 'em how "All the Money" and "Magnetic Rag" are really done.

I'm glad Samuel Schalla came back for his second taste of OTPP fun. He's a college student from Tubingen, Germany...and he had a lot of fun when he came to Peoria in 2012.

For Samuel, the fun multiplied this time around...and you could tell that with his versions of Joseph Lamb's "Bohemia" and Joe Jordan's "That Teasin' Rag."

Speaking of fun...the fun continued to grow exponentially thanks to Ted Lemen and Adam Swanson (he'd just gotten through winning the previous night's New Rag Contest...making him a seven-time winner across three divisions) teaming up to handle the emceeing.  

At certain points in the competition, Adam (you'll find him featured in "The Entertainers") and Ted gave demonstrations of just how old-time piano's supposed to sound. One of those demos involved Ted (the man who cooked up OTPP) playing a singalong favorite...followed by Adam restyling it as a rag.

The next contestant put Iowa (the state Adam left to attend college in Colorado) back on the Old-Time Piano Contest's map: Junior Division contestant Isaac Smith (out of the home of the U of Northern Iowa, Cedar Falls). 

And high-school student Isaac nuked Moby Dink.   

Isaac's selections were James P. Johnson's "Carolina Shout" and George Botsford's "Black and White Rag." When he got done with those numbers, Isaac had the crowd eating out of his hands...right down to the crumbs!

It was now time for another RD pianist to come up to bat...Maine's Doug Protsik, who was feeding a thirty-year drought between OTPP berths. 

Matter of fact, the last time Doug was in the contest, the event was held outdoors...in front of the Monticello (IL) Railway Museum (and subject to one atmospheric display after another).

Once Doug made his way to the Weber, he felt right at home as he put over "Buyback" and "Alabamy Bound."

Two more juniors rounded out the first half of the preliminary competition at the Sheraton: 2010 and 2011 JD champ Morgan Siever and fellow Illinoisan Megan Jobe, the youngest to go at it in 2013.

Morgan had her Sweet Sixteen celebration in April, and the pianist-softball player-basketball player from the St. Louis suburb of Carlyle, IL sought to extend the party (and get that JD crown back from Daniel S.) with "Grandpa's Spell" and "That's a-Plenty."

Ten-year-old Megan (a contest newcomer, too) did the last two selections of the morning: "Maple Leaf Rag" and "12th Street Rag."   

Megan's first try as a contestant reminded me of Morgan's OTPP debut (that happened in 2005)...and I hope Megan sticks with old-time piano. Just as Morgan showed in 2005 that she really had something at age eight, Megan showed me here in 2013 that she's got something, too.

After Samuel, RD contestant Russell Wilson, his mom Lynn, and I had something at a Culver's Butter Burgers not far from the hotel, we got back to the hotel to check out the second half of the Saturday competition.

And the first of the afternoon performers was...2007 and 2012 Regular Division kingpin Ethan Uslan (from- you guessed it- "The Entertainers").

This New Jerseyite-turned-North Carolinian opened his bid to make it two RD crowns in a row by delivering "Sing a Song" and movie theme "Ramona."

Minnesota's Jacob Adams missed out on joining Ethan in the RD's Top Five last year...and he came out on fire this year, heating up "Wall Street Rag" and "Cannonball Rag."

And the Regular Division contestants kept coming up, one after another. (Well, that's what happens when you go into a rehearsal room and draw a number out of a hat. You never know what you're going to get.)

What the audience- a more sizable one thanks to "The Entertainers-" got was some more fine, fine performances.

Damit Senanayake (from Washington's Seattle area) kept the fine, fine performances going. He topped his good 2012 first round by playing "Castle's Half and Half" in addition to May Aufderheide's "The Thriller."

Damit was followed by one of the 2012 first-timers, Floridian Bobby "Mr. Piano" Van Duesen...who kept the good times rolling in 2013 with the rag "Cum-Bac" and the novelty "Our Monday Date."

"Perfessor" Bill Edwards (check him out in "The Entertainers") took to the Main Room stage next...and he went on to show why he's been a Reg Division finalist more often than anybody else in C&F history. He provided the evidence with his versions of "The Poet and Peasant Overture" and "Five Foot Two, Eyes of Blue."

After the 1991 Regular Division champion came a newcomer named Domingo Mancuello.

Domingo comes from Pennsylvania, where he attends Philadelphia's University of the Arts. And I believe we're going to be hearing from him for a long time to come, what with the way he gets into playing those 88s. (Domingo brought his take-no-prisoners style to "Whispering" and "Krazee Bone Rag.")

Like Samuel, first-timer Jack Graham made the trip across the Atlantic Ocean to check out OTPP.

And I'm glad he did.

Before I go on with the selections, let me tell you that if you're going to be an OTPP contestant, you've got to wear something that people wore during or before 1929. And that usually means dressing up in period suits, flapper outfits, granny gowns, period tuxedos, and/or the famous "bartender's duds-" in other words, the shirt-slacks-vest-bow tie look. (Past variations have included Davy Crockett outfits, marching-band uniforms, and togas.)

Jack (from London, England) hit the stage in a suit that beat the band...right down to the hat.

Most important, I like how Jack takes chances with tunes (especially the ones we're used to hearing at the Old-Time Piano Contest)...and that's what he did with "Maple Leaf Rag" (his version starts in D-flat!) and "Cannonball Rag." 

To top it all off, Jack said that, coming into OTPP Weekend, he'd NEVER played in public before.  

Charles Mink (he's from South Carolina) told me he'd been thinking about packing it in (he became a C&F contestant in 2009)...but the way he played "Dizzy Fingers" and "How Could I Be Blue," I'm going to feel blue if he doesn't give next year's contest a try. 

Charles turned in his best work this year. (Well, I like to think so!)

One of Domingo's fellow U of the Arts students, fellow Keystone Stater Michael J. Winstanley, put the accent back on the 2013 rookies. Michael's got a style that's as joyous as Domingo's...and it showed in "Cheese and Crackers" and "New Orleans Joys."

Last year, Wisconsinite Daniel Levi came to Central Illinois to see "The Entertainers."

Daniel L. liked the OTPP experience so much he decided to come back in 2013...as a contestant.

I liked his set, too; it had "Swanee" and Luckey Roberts' "Pork and Beans."

One more RD contestant to go...and coming up to do his thing was the older of the two Wilsons competing in Peoria.

Russell (he hails from Washington, DC) really served notice; he was sizzling right from the start, what with "Russian Rag" and "I've Been Workin' on the Railroad." 

Russell Wilson's 2013 playing had this message written all over it: "Don't mess with a pianist who plays in the White House."  

The last contestant for 2013 comes from Peoria, IL itself.

And his name is Matt Lauer. (No...not THAT Matt Lauer!)

THIS Matt Lauer was the seventh and last JD performer in competition at the Four Points this year. And he acquitted himself quite well...as the first and only 2013 contestant to do Scott Joplin's "Elite Syncopations" and the fourth 2013 hopeful to play the number that put rags on the map to begin with. (That's right...good ol' "Maple Leaf Rag.")

Lots and lots of fine performances thus far at this year's Contest and Festival...and now it was time for contest judges Dean Gronemeier, Ian Hominick, and Terry Parrish to not only determine which ten (or more in case of a tie) Regular Division pianists moved on to the division's semifinals...but also find out which five Junior Division musicians earned prize money. (The JDs need to only prepare two numbers, while the RDs have to come up with six selections.)

When Dean, Ian, and Terry got back from deliberating, the three judges (it used to be four, but the Old-Time Music Preservation Association decided to take a page from American Idol) decided to give Matthew $40 for finishing fifth in the Junior Division competition, Slade $60 (fourth place), and Morgan $100 (good for third).

What's more, Daniel S. received a check for $125...while he watched Isaac walk off with the JD title and a check for $250.

And that made Isaac the third different performer to get the Junior Division championship in as many years.

When we come back, we're going to find out if a similar situation took place in the contest's Regular Division...and if they needed to make it an eleven-person RD semifinal.