That's where I went last week.
And I found out just how San Diego, CA lives up to its nickname: "America's Most Beautiful City."
Until 3-12-2014, I'd never, ever set foot on America's West Coast before.
National University's decision to show "The Entertainers" (that 2012 documentary about the World Championship Old-Time Piano Playing Contest and Festival) gave me all the more reason to come out to California.
To get to the Golden State, I caught a pair of Southwest Airlines Boeing 737s (I changed planes in Denver, CO).
On the way out to San Diego, I was nervous. After all, this was just the fifth flight I'd ever taken in my life. (My other plane trips happened in 1967, 1981, 2002, and 2012.)
And this 2014 flight was the first plane excursion that didn't involve work or going to see relatives.
Once I saw Michael Zimmer (one of the documentary's codirectors) at the San Diego International Airport, I started to finally relax.
I knew everything was going to be all right.
Michael rented a Chrysler 200 sedan and drove us out to our hotel, Courtyard (by Marriott) San Diego Central (8651 Spectrum Center Dr., 92123).
Great place to stay!
Not only did National pay for our hotel rooms and fly us out to America's most heavily-populated state...the school (Michael teaches a screenwriting class at National's Los Angeles campus) wined and dined us.
Matter of fact, a few hours after I had a chance to kick back in my room, we ate dinner at a restaurant on Park Blvd. [I've been racking my brains trying to remember the eatery's name. All I know is that its name has "Bellezza" in it...and that its menu features pizzas with people's first names as the pizzas' monikers (handles such as "Julieta").]
And we- Michael, girlfriend Tiara, his parents (Michael Sr. and Margaret), "Perfessor" Bill Edwards, and I- really loved that restaurant.
The pizzas themselves are fired up in a brick oven- the same way they were made when pizza came over to the United States around and after World War 1.
Speaking of fired up...I was really fired up about the next day, one that would culminate in the actual showing of "The Entertainers."
And after we ate breakfast at the hotel's restaurant, we went sightseeing...and we focused on Balboa Park.
Balboa Park, all by itself, makes Ess Dee earn the "America's Most Beautiful City" nickname. Lots of gardens (including a striking Japanese one)...lots of museums...and the Spreckels Organ Pavilion, home of America's largest outdoor pipe organ.
The 1915 installation (built by the Austin Organ Co.) used to be the world's largest...until one of the cities in Austria put up an outdoor pipe organ that passed up the San Diego one. (But now, the Spreckels Organ Society and San Diego's government leaders are out to give the lead back to the instrument that currently boasts 4,518 pipes with 73 ranks...with four manuals to control it all.)
We split the pre-movie sightseeing in half...and in the second half, Faye Ballard joined us. (A blizzard messed things up in the Chicago area, forcing flights out of O'Hare International Airport to get canceled...meaning Faye couldn't get a plane from Champaign, IL to Chi-Town that Wednesday. So she got a plane from Champaign to Dallas-Fort Worth, then changed planes in the Metroplex and came out to San Diego.)
Meanwhile, Four Arrows was in San Diego...at a teaching seminar across town.
Before we were all given the chance to get inside the Spreckels Organ Pavilion, the entourage splintered...and Faye and I got a chance to tour Balboa Park's Museum of Photographic Arts (the very venue where "The Entertainers" would be screened that night).
That week, MOPA exhibited a mind-blowing display of photos depicting political leaders in action, acts of civil disobedience, and virtually anything else that could've been ripped out of your local newspaper (or at least out of the Associated Press files).
Then, after touring Spreckels, we all made it inside MOPA, whose 200-seat auditorium was set up to show that documentary about the World Championship Old-Time Piano Playing Contest and Festival.
At that time, Four Arrows (an online college professor when he's not playing old-time piano) was en route from the seminar across town.
It was 7:00 PM (Pacific time)...and just as the film started rolling, Bill, Faye, Tiara, Margaret, the two Michaels, and I went out to eat (Bill: "We've all seen the movie before!").
So we ate at a restaurant in the middle of the park, The Prado.
Even if Omaha's got more eateries per capita than any other city in America, that's no reason to put San Diego's cuisine down. When it comes to restaurants, SD gives the Big O a run for its money...and The Prado is one of the many proofs.
At The Prado, they serve a half chicken as an entree...and that chicken rocked!
As things turned out, the 140 people who came to see "The Entertainers" found out the movie rocked, too.
They loved Bill, Faye, Four Arrows, Michael the Younger, and me. The Q-and-A session was a blast...and so was the concert Four Arrows, Faye, Bill, and I launched into after the Q-and-A.
Had a great time in San Diego...and if things turn out, I'm going back there as soon as possible.
Now to turn the calendar back six more weeks and pick things up where we left off when it comes to the 2012 World Championship Old-Time Piano Playing Contest and Festival.
It was Sunday, 5-27-2012...and the spotlight was on ten Regular Division contestants.
That's right...the only ten Regular Division contestants left for 2012.
And this was a year where just three judges watched all the pianists at Peoria's Sheraton Four Points Hotel. Circumstances forced Helen Black Tapp to sit out this year's OTPP...leaving Brenda Clark, Patrick Holland, and one of the arbiters you saw in "The Entertainers," Raymond Schwarzkopf, to fend for themselves. (Well, actually, the threesome got real help from Linda Earlywine, Harriet Wall's replacement as contest judging assistant.)
Helen's OTPP judging debut came in 2000, when the contest was still held at the old Holiday Inn Select in Decatur, IL. After all the competition that year came to an end, she treated me to...what sounded to me like a kangaroo court. (Okay, it was billed as constructive criticism.)
And so, coming into 2012, I'd been reluctant to ever again play for Helen.
Okay, enough of that. Let's get to the ten who played for Raymond, Patrick, Brenda, and...a highly enthusiastic audience.
First of all, John Remmers went up to bat. His ability to play exactly what the composers intended came through in John's versions of "The Strenuous Life" and "Alabama Slide."
Martin Spitznagel was still cookin', what with the job he did with George Gershwin's "Someone to Watch over Me" and a number from Jelly Roll Morton, "The Perfect Rag." (You couldn't accuse Jelly Roll of being bashful.)
It was "Perfessor" Bill Edwards' turn; he went with "Jim Jams" and "Row, Row, Row." (No...not "Row, Row, Row Your Boat!")
The tag-team setup Ted Lemen and Adam Swanson put together the day before continued strong, with Adam putting on a clinic. And this time, the newest undefeated RD champ- now a student at Fort Lewis College in Durango, CO- cruised through a Tom Brier rag, "Razor Blades."
After that, it was Will Perkins' turn to cruise...and he did, with "The Entertainer" and "After You've Gone."
Ethan Uslan was next...and he showed why he's referred to as "The Innovator" in that documentary about OTPP. Our father of two brought out "Charleston" and "Poor Butterfly." (And he turned them on their heads!)
Well, five down...and five to go. (I'll be back to finish this one!)
This itch I was happy to scratch.
It was Saturday, 5-26-2012, and I was about to join a few hundred other people in taking in the actual competition at this year's World Championship Old-Time Piano Playing Contest and Festival.
A lot of newness going on: This was the first year the contest would be held at Peoria's Sheraton Four Points Hotel (the previous venue, the city's Hotel Pere Marquette, is scheduled for remodeling or the headache ball). It was going to be the first year with a new coordinator (in 2011, the only two contest coordinators in OTPP history shared the duties...one passing the torch to the other). This year's event ended up using three judges (two men and a woman, like on American Idol; the contest was meant to have four arbiters).
And on a personal note, 2012 was going to be the first year I didn't enter the OTPP Contest's main competition or even the event's New Rag Contest.
And something else was new:
Contest creator and emcee Ted Lemen got himself a cohost.
You couldn't ask for a better cohost than three-time Junior Division, three-time Regular Division champ Adam Swanson...the young man who raised the bar (and I mean RAISED the bar) to where it is today.
Well, the preliminary competition started off with a bang when the year's first contestant, Monty Suffern (Australian-born; he moved to the United States a dozen years ago and now makes his home in the nation's second-largest state, Texas), took "Moby Dink," that 1883 Weber upright, through "Bohemia" and "Waiting for the Robert E. Lee." He was one of seven OTPP newcomers for 2012.
Monty sure sounded to me as if he was heading for the next day's second round. He did that great a job.
Bill McNally's done some moving, too. It took place in the three years since he and I last met (the three years since I was able to make the trip to Central Illinois). A lifelong Pennsylvanian, Bill now makes his home in New York...where his teaching career continues.
At the contest, Bill showed the audience a new way to dig "Turkey in the Straw" as well as contest favorite "Dizzy Fingers."
Then Four Arrows came up to bat...coming back after missing out on the 2011 Old-Time Piano Contest.
The Man from Mexico (he's also an author and online professor) showed he's still got that great showmanship as he pumped up "The Darktown Strutters' Ball" and "Jealous."
Next up was newcomer Alex Poyner, who turned in a couple of Scott Joplin rags: "Weeping Willow" and "Swipesy."
Just one week from OTPP Weekend, just three Junior Division pianists (if you're new to learning about the contest or new to "Boston's Blog," JD contestants are 17 years of age or younger) had signed up to take the Peoria Challenge. Then two more juniors (and their parents) plunked down the entry fee.
One of them was another first-year contestant, Bradley Mylius. The young Ohioan not only weighed in with a fine "Maple Leaf Rag," he also came up with "Creole Love Call."
And then came the second junior in a row to play that Saturday, Daniel Souvigny.
Last year, at ten, he almost won the thing in the Junior Division...and Daniel showed that he wasn't about to back down here in 2012, what with a "Mack the Knife" that came from Faye Ballard's playbook (and she took it from Liberace's playbook). Daniel wowed the house with that one...then topped it all off with "A Handful of Keys," a Fats Waller favorite.
Another Dan followed to step up to the stage to play that 1883 Weber upright. But you can't really call Dan Mouyard "another Dan." [After all, he was the first Junior Division champion to grab a Regular Division title (after topping the other juniors in 1996, he came away with the RD crown in 2001 and came back to snatch the RD championship in 2003)!]
Dan the Elder had the first of two versions of "Steeplechase Rag" heard over the weekend, then followed that up with "Twilight Rag."
Have you had a chance to slip on over to http://www.oldtimepianocontest.org/, the contest's new site? Dan Mouyard cooked up the Website's fine, fine look. (By the way, to top all the other Regular Division contestants in 2003, Dan had to wrestle the Ted Lemen Traveling Trophy away from the second JD champ to ascend to the top of the RD heap...Adam Downey, whose junior crowns in 1991, 1992, and 1993 preceded his 2002 RD triumph.)
Speaking of Ted...he and Adam Swanson (the latest of two- thus far in OTPP history- to pocket three junior titles and three regular titles apiece) made a fine team when it came to emceeing the contest. And that really became clear when, after the Two Daniels (or Two Dans) played, Adam S. strode over to Moby Dink for the first of several demonstrations of how the Fort Lewis College student from Shenandoah, IA got all those championships.
This year's OTPP was also the first one in which Samuel Schallau (a student from Germany) competed. I liked his versions of "Weeping Willow" and "Midnight Whirl;" they were nice and steady, nice and relaxing. (I've got the feeling Samuel- who's going to start college later this year- will be a Peoria fixture for years to come. I hope so.)
The next three contestants have also been New Rag Contest fixtures...and the first of those next three was Jacob Adams, the Minnesota native who mastered a couple of the many rags I admire and have yet to feel more comfortable playing: James Scott's "Hilarity Rag" and Scott Joplin's "The Cascades."
Jacob, the 2010 New Rag champion, gave way to native Pennsylvanian Martin Spitznagel, who not only removed the NRC crown from Jacob's grasp in 2011 but also took home the Old-Time Piano Contest's biggest prize that year. (Martin had 2007's best new rag, too.) Martin made a real bid to hang on to the TLTT when he came out with contest favorite "Dizzy Fingers" and a rockin' version of "Oh, You Beautiful Doll."
And then "Perfessor" Bill Edwards, the 1991 Reg Division titleholder who aced the New Rag Contest in 2001 and 2002, capped off the first half of the 2012 OTPP preliminary competition by gliding through "Egyptian Glide" and "Hungarian Dance #5." (By the way...how'd you like him and Adam S. in "The Entertainers?" How'd you like Faye in that documentary?)
Toward the end of that movie, Faye said she was going to scare the stuff (my word) out of people with her love of- and enthusiasm for- the OTPP.
And thus far, with the office systems specialist from Champaign, IL in there as contest coordinator, the OTPP ride was still wonderful...still groovy.
Well, an hour after the computer programer/ragtime historian from Ashburn, VA hit the final notes of "Hungarian Dance #5," Spencer Andrews (this year's third JD'er) came up to put Moby Dink through its paces. His selections were "Tiger Rag" and "The Midnight Fire Alarm."
Then Ethan Uslan strode onto the stage...and really took ol' Weber for a ride. (How'd you like him in the first documentary to zero in on an event that was initially held outdoors and was initially attended by forty people?)
This time, the New Jerseyite-turned-North Carolinian's fuel consisted of "With a Song in My Heart" and "Nina from Palestina."
Another thing about the contest's history is that the first five championships went to women. (Joybelle Squibb won it all in 1975 and 1976...only to see Dorothy Herrold knock it out of the park in 1977, 1978, and 1979. Dorothy- that teacher from La Porte, IN- decided to retire from competition after her '79 win to give other pianists a chance to get the title.)
By 1984, six of the first ten OTPP titles were won by women; that year, Illinoisan Janet Kaizer ended the three-year reign of another performer from the Land of Lincoln, Mark Haldorson...and inaugurated her own two-year stay at the top of old-time piano. (Janet had company in 1985...the first year contest organizers offered a junior championship. Before Neil Moe started his own three-year stint as the best JD performer, pianists in all age groups went after one title.)
Now we get to 2012, and on the eve of OTPP Weekend, no woman had won the RD crown since 2000 (when Mimi Blais followed up her spectacular 1994 reg triumph with another trophy). But...three of the last four junior championships had been won by girls (and that after boys had locked up the first 23 titles in that division; remember, though...four of those boys grew up to become not only RD champs, but also some of the most famous performers OTPP's ever had...with two others going on to excel in other areas of music).
That's what Tennessean Diana Stein walked into when she walked into the Sheraton Four Points Hotel's Main Hall.
And I thought Diana did a fine job, firing up Luckey Roberts' "Pork and Beans" and Scott Joplin's "Solace."
And about firing up...Bobby Van Duesen (he's a Floridian, and like Diana, a newcomer to the C&F) came out on fire, cracking jokes and engaging in lively banter with Ted L. and Adam S. Once Bobby sat down (or, at times, stood up) to play "Nickel in the Slot" and "Mandy, Make Up Your Mind," he showed why he's nicknamed "Piano Man."
Next up to bat: This year's last two Junior Division performers...Illinoisans Morgan Siever and Leo Jennetten. (Morgan topped all the JDs during 2010 and 2011, while Leo- he lives and goes to school right there in Peoria- was the last to enter the 2012 contest. His entry was the act that enabled all the junior performers this time to earn prize money.)
Morgan came out on fire, too (check out her video on http://www.youtube.com/), showing why she won the previous two J championships with killer versions of "Steeplechase Rag" and "Won't You Come Home, Bill Bailey." Leo- the last 2012 newcomer to what still seems like one of Peoria's best-kept secrets- followed that softball-playing, basketball-playing pianist with nice versions of "Ain't She Sweet" and "The Glow Worm."
Damit Senanayake (a Singaporean who moved to the United States himself and now lives in the state of Washington) turned in a couple of nice ones himself: "Clog Dance" and "Pastime Rag #2."
Now the prelims were heading toward the home stretch, with Michigander John Remmers (he's done "Pastime Rag #2" before) coming up with "Sensation" and "Elite Syncopations."
Then the retired college professor gave way to a high school teacher named Joe Mankowski (he calls his home town, Buffalo, NY, "the Miami of the North")...who made a real bid as well with Fats Waller's and Andy Razaf's "Ain't Misbehavin'" and "Love Me or Leave Me," a Walter Donaldson song made famous by Ruth Etting.
Joe would've been the last of the preliminary contestants...except Californian Will Perkins made it to Illinois after all. (Will made it into Richard Pryor's and Jim Thome's birth city early that Saturday...and the other contestants vowed to save the Golden Stater a place in this year's competition if his flight made it to the Land of Lincoln.)
Will proved the wait was darned well worth it, as his renditions of "Ain't Misbehavin'" and "My Gal Sal" demonstrated. (By the way, check his stuff out on http://www.youtube.com/!)
Well, the first leg of competition for this pivotal year was finished, and while sixteen R contestants were waiting to find out who was going to play the next day, the remaining five competitors were wondering which of them would get which prize.
And as things turned out, Spencer finished fifth (and received $40 as a result), Leo got $60 for placing fourth, and Bradley earned third place- and $100.
Daniel S. prevented Morgan from pulling off the hat trick (or maybe delayed the hat trick).
And because of that, Dan the Younger pocketed $250...twice the size of the prize Morgan walked away with.
Stick around, because I'm going to wrap up my look at the 2012 World Championship Old-Time Piano Playing Contest and Festival before this month is out.
But first...I'm going to talk about something closer to home. (Stay tuned!)
If it weren't for "The Entertainers," I wouldn't have been able to make it to Peoria, IL for the 2012 World Championship Old-Time Piano Playing Contest and Festival. (That's right; this event- which dates back to 1975- has a new title, adding the "and Festival" this year.)
It all started when Nick Holle (one of the documentary's codirectors) gave me a call early in May and said: "Jim, how'd you like to come to Peoria?"
Result: The opportunity I didn't expect to get for this year.
It'd been three years since I last made the trip to Central Illinois. Since then, I'd gotten a bankruptcy discharge, gone exclusively to my debit card (no more credit cards!!), and fought to get all my bills paid up...especially my car note. I figured, in fact, that I'd have to wait until 2014 to do the kind of traveling I used to.
But then...the first documentary about Ted Lemen's claim to fame broke. (And so did increased overtime opportunities at the plastics factory I work at when I'm not writing a blog or getting involved in old-time piano.)
And so...after not being able to hit a metropolitan area other than Omaha/Council Bluffs/Bellevue during 2011, I've been on the road three times this year. (And all three excursions were in rental cars!)
The trip to baseball great Jim Thome's birth city this past Memorial Day weekend was the best as far as renting a car was concerned: Enterprise let me use a 2011 Hyundai Accent that had (ta da!) a satellite radio.
No AM or FM for me, what with Sirius XM's 40s on 4, 50s on 5, 60s on 6, 70s on 7, 80s on 8, 90s on 9, and Motown on 49 channels to make it a really groovin' trip. (After all, Sirius gives you a lot of the tunes FM-AM chiefs refuse to put back on the air. For instance, I got to hear Larry Williams' 1957 hit "Bony Moronie" as I was coming out of Iowa City, IA. And when I pulled into the parking garage attached to Peoria's Sheraton Four Points Hotel, XM played Ral Donner's 1961 biggie "You Don't Know What You've Got." We're talking about two jams Omaha's AM and FM stations have forgotten about!)
Didn't get into Peoria until about 7:30 PM on 5-25-2012...an hour before "The Entertainers" (the complete film, that is) got its first real Peoria screening.
This time, I was coming to Richard Pryor's birth city as a contest spectator, not a contestant. And Nick's and fellow codirector Michael Zimmer's offer enabled, for the first time, all six of the documentary's main subjects- Adam Swanson, "Perfessor" Bill Edwards, Ethan Uslan, Faye Ballard, Four Arrows, and me- to join with movie fans and old-time piano fans to check out a screening of "The Entertainers." In the same venue at the same time.
Felt nervous about how the movie would go over with people who'd spent one Memorial Day weekend after another checking out OTPP and lending the contest/festival legendary support.
Film festival fans had twice rated "The Entertainers" tops in the documentary field...but how would people who've traveled to Peoria (and/or previous OTPP sites Decatur, IL and Monticello, IL) dig a film celebrating the music that ultimately served as the springboard to "Goody Goody" as well as to "Bony Moronie" and "You Don't Know What You've Got," et al?
THEY ATE IT UP!!
About two hours after the screening wrapped up, another personal point of apprehension completely exploded. That's because Raymond Schwarzkopf (a first-time OTPP judge in 2009 who'd been invited back for 2010 as well as for 2012) was one of the spectators who not only enjoyed the movie...but also liked me in it.
The showing was three years to the day after I first talked to Raymond at OTPP Weekend's final event (the Red, White, and Blue Brunch) to introduce myself...only to get brushed off with a warning to "keep practicing."
I spent the next three years wanting to get even with him...to the point of not wanting to play for him ever again.
Well, this time, Raymond and I had a really good conversation. Even told him about the humiliation I felt due to his two-word message of 5-25-2009.
And this time, he encouraged me not to give up on old-time piano.
Speaking of old-time piano...next time I post, I'm going to get to the business end of OTPP. (I'm talking about the actual competition.)
Stay tuned!
